Editor’s Note: Kate Morton is the New York Times bestselling author of The Lake House. Her newest book The Clockmaker’s Daughter is the rich, spellbinding new novel that tells the story of a love affair and a mysterious murder that cast their shadows across generations, set in England from the 1860s until the present day. Special thanks to Sara Rattaro for this insight into what went in to the writing of Kate Morton’s The Clockmaker’s Daughter.
How did you manage to intertwine different narrative plans with such ease and without any flaws? How do you write and develop your novels?
I wrote The Clockmaker’s Daughter differently from my other novels. In the past, I have written each chapter in the same order that it appears in the published book; this time, however, I wanted the structure of the novel to support the thematic exploration of time. It was important to me from the start to show the way different layers of time had transpired within a single place. I knew up front that the novel would contain a number of short vignettes – snapshots into the lives of various residents of Birchwood Manor, the house at the novel’s heart – linked together by an over-arching first-person narrative. I wrote the historical vignettes first so that when it came time to write Birdie Bell’s story, I – like she – was privy to the experiences of all of the other characters across time. Because I wrote the past interludes simultaneously, I was better able to glimpse the silvery threads that tied them together.