The improbable resurgence of vinyl records began around 2007 and hasn’t slowed yet. In 2015, vinyl sales rose 32% to $416 million, their highest level since 1988, the year the format was overtaken by the compact disc. Why is vinyl being embraced by millennials and revisited by older types who sold their collections 20 years ago?
Sure, vinyl has a warm sound and a retro appeal, but there’s something else that makes it ideal for true music lovers: vinyl is wonderfully inconvenient. It forces you to interact with it—to lovingly take an LP out of its sleeve, put it on the turntable and flip it over 25 minutes later. And since skipping tracks is a pain, you’re more likely to listen to an album straight through, with the songs in the order the artist intended.
There’s also the satisfying physicality of records and sleeves, with big, beautiful artwork, liner notes, lyrics and credits, none of which you get with a digital download.
All of this makes vinyl perfect for those who crave a deeper listening experience and a stronger connection with the artists they enjoy.
If you’re looking to start or add to your vinyl collection, consider giving the ten classic albums below a spin. They’re undeniably great on any format, but they beg to be experienced on vinyl. Note: While lots of new music has been released on vinyl in recent years, for this list I’m focusing on the original era when the vinyl LP ruled.
In the Wee Small Hours, Frank Sinatra (1955)
With a program of thematically connected songs about loneliness and lost romance, this record is often cited as one of the first-ever concept albums. Timeless tunes from the Great American Songbook, sparkling Nelson Riddle arrangements and Sinatra’s inimitable phrasing combine to create an intimacy and atmosphere perfect for late-night listening.
A Love Supreme, John Coltrane (1965)
Kind of Blue by Miles Davis may be “the one jazz album everyone should own,” but Coltrane’s masterwork is a more cohesive and emotional statement. The album is a four-part original suite born of Coltrane’s gratitude to God, but make no mistake—it’s not churchy or prim. On the contrary, this is deeply felt, deeply swinging, powerful music performed by Trane’s classic quartet, arguably the best band in jazz history. Supreme, sublime, essential music. Continue reading