Behind the Book- Queen of Air & Darkness by Cassandra Clare

Editor’s Note: From the master of young adult fiction comes the final novel in the #1 New York Times and USA Today bestselling The Dark Artifices trilogy, Queen of Air and Darkness. This magnificent conclusion to a spellbinding series involves dark secrets and forbidden love, which threaten the very survival of the Shadowhunters. We had the opportunity to catch up with Cassandra Clare and ask her some questions about the series and Shadowhunters.

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What first inspired you to write about Shadowhunters?
The idea came to me one afternoon in the East Village. A good friend of mine was taking me to see the tattoo shop where she used to work. She wanted to show me that her footprints were on the ceiling in black paint — in fact the footprints of everyone who’d worked there were on the ceiling, crisscrossing each other and making patterns. To me it looked like some fabulous supernatural battle had been fought there by beings who’d left their footprints behind. I started thinking about a magical battle in a New York tattoo shop and the idea of a secret society of demon hunters whose magic was based on an elaborate system of tattooed runes just sprang into my mind. When I sat down to sketch out the book, I wanted to write something that would combine elements of traditional high fantasy — an epic battle between good and evil, terrible monsters, brave heroes, enchanted swords — and recast it through a modern, urban lens. So you have the Shadowhunters, who are these very classic warriors following their millennia-old traditions, but in these urban, modern spaces: skyscrapers, warehouses, abandoned hotels, rock concerts, thrift stores. In fairy tales, it was the dark and mysterious forest outside the town that held the magic and danger. I wanted to create a world where the city has become the forest — where these urban spaces hold their own enchantments, danger, mysteries and strange beauty. It’s just that only Shadowhunters and Downworlders can see them as they really are. Continue reading

All Things Printed & Recorded: Ephemera, Etc.

EDITOR’S NOTE: This year in our HPB calendar, we’re celebrating all things printed and recorded—and played, solved, watched, etc. In other words, all the cool stuff we buy and sell in our stores. For December, we’re looking at one of our smaller but most interesting product categories: ephemera—miscellaneous printed materials that have become collectible over time. Common examples found in HPB stores include sheet music, postcards and posters.

TIMELIMEsheet music singers
1457  The Mainz Psalter is the first printed book to include music, though the notation is added in by hand. 
1840  The world’s first picture postcard is sent when British writer Theodore Hook mails a self-made card to himself.
1891  Toulouse-Lautrec’s artful poster designs spark a poster craze in Paris.
1917-1918  During World War I, the US government prints 2,500 different posters to aid in the war effort, including the famous “I Want You” recruiting poster featuring Uncle Sam.

DID YOU KNOW?

  • Cheret posterBefore the advent of recording, sheet music dominated the music industry. The late 1800s saw the zenith of “parlor music,” with people gathering around the piano to play and sing the popular songs of the day.
  • “Large letter” postcards, usually printed on linen-textured paper, were popular during the mid-20th century. The style was developed by Chicago-based Curt Teich and Company.
  • In the 1880s, French painter and lithographer Jules Chéret ushered in modern advertising with a new printing process that allowed for brighter colors and more economical mass production of large posters.
  • Psychedelic posters of the 1960s, like the ones produced by The Family Dog, were influenced by Art Nouveau and Surrealism.

Want to dive deeper? Check out these great products!

book A History of Postcards: A Pictorial Record From the Turn of the Century to the Present Day, Martin Willoughby
book Postcards: Ephemeral Histories of Modernity, David Prochaska & Jordana Mendelson
book Toulouse Lautrec and La Vie Moderne: Paris 1880–1910, Phillip Dennis Cate, et al.
book Toulouse Lautrec: A Life, Julia Frey
slate_film-512 Discovery of Art: Toulouse Lautrec
book World War I Posters: 100th Anniversary Collectors Edition, Edward J. White
book World War II Posters In Color, Philip Martin McCaulay
book Jules Cheret: Artist of the Belle Epoque and Pioneer of Poster Art, Michael Buhrs, et al
book Posters of Jules Cheret: 46 Full Color Plates and Illustrated Catalogue Risonne, Lucy Broido
book High Art: A History of the Psychedelic Poster, Ted Owen, Denise Dickson & Walter Patrick Medeiros
book Off the Wall: Psychedelic Rock Posters From San Francisco, Amelie Gastaut & Jean-Pierre Criqui
slate_film-512 24 X 36: A Movie About Movie Posters
music-note-2 American Classics: Parlor Music Revisited, Daniel Kobialka

Behind the Book: The Clockmaker’s Daughter by Kate Morton

Editor’s Note: Kate Morton is the New York Times bestselling author of The Lake House. Her newest book The Clockmaker’s Daughter is the rich, spellbinding new novel that tells the story of a love affair and a mysterious murder that cast their shadows across generations, set in England from the 1860s until the present day. Special thanks to Sara Rattaro for this insight into what went in to the writing of Kate Morton’s The Clockmaker’s Daughter.

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 How did you manage to intertwine different narrative plans with such ease and without any flaws? How do you write and develop your novels?
I wrote The Clockmaker’s Daughter differently from my other novels. In the past, I have written each chapter in the same order that it appears in the published book; this time, however, I wanted the structure of the novel to support the thematic exploration of time. It was important to me from the start to show the way different layers of time had transpired within a single place. I knew up front that the novel would contain a number of short vignettes – snapshots into the lives of various residents of Birchwood Manor, the house at the novel’s heart – linked together by an over-arching first-person narrative. I wrote the historical vignettes first so that when it came time to write Birdie Bell’s story, I – like she – was privy to the experiences of all of the other characters across time. Because I wrote the past interludes simultaneously, I was better able to glimpse the silvery threads that tied them together.

Continue reading

Behind the Book: Night of Miracles by Elizabeth Berg

Editor’s Note: For Elizabeth, stories provide both an escape from trouble times and an answer to problems. Her latest novel, Night of Miracles, reflects her desire to remind people of the good things in life. Read on to discover Elizabeth’s take on what has inspired her novels.

When I was nine years old, I wrote and submitted my first poem to American Girl magazine. It was called “Dawn,” and it was a stinker of a poem, even by the most lenient of standards, but it did two things. One was that it got me on the path of buying my father a Cadillac—for I thought surely the poem would be published and I would receive somewhere around a million dollars. Unfortunately, my poem was rejected, and should have been, and I did not get a million dollars, or even the pittance that the real payment must have been. But I got something else. Writing that poem showed me the pleasure of getting what I was feeling inside, out. Continue reading

Behind the Book: The Keto Reset Diet Cookbook by Mark Sisson

Editor’s Note: Mark Sisson is the New York Times bestselling author of The Keto Reset Diet, the groundbreaking ketogenic diet plan that helps to reset your metabolism in 21 days. His newest book, The Keto Reset Diet Cookbook, contains 150 keto-aligned recipes to help you slim down, get healthy and go keto the right way. We had the opportunity to catch up with Mark recently. Read on to discover his thoughts on the Keto craze and what led him to write The Keto Reset Diet Cookbook! Plus, get a sneak peek into some delicious Keto recipes! 

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Confession: Even though I consider myself to be plugged into what’s happening on the cutting edge of nutrition, health and fitness, I was caught off guard by the “keto explosion”— the surge of interest in the ketogenic diet these past few years. The general public and scientific circles can’t stop talking about keto. On the plus side, this has shined a light on the many benefits of a low-carb, real-food way of eating like the one I’ve been writing about for years. On the other hand, it seems like keto came out of nowhere to become the hottest thing around, so it’s being labeled (unfairly) as a fad. Continue reading

Behind the Book: Leia: Princess of Alderaan by Claudia Gray

The Star Wars fandom can rejoice! Claudia Gray, author of Star Wars novels Lost Stars and Bloodline, has returned to that universe once again, with Leia: Princess of Alderaan which describes how a young Leia first becomes involved in the Rebellion. This Young Adult novel is Leia-centric, focused on the character in her younger years before Han Solo and Luke Skywalker entered her life. Her passion, dedication and the pull of responsibility are just getting honed in this precursor to A New Hope, and the novel in paperback November 6, is sure to excite Leia fans of all ages and genders.

Evernight, Firebird, Constellation, Spellcaster and Star Wars— you truly are the master of multiple genres. How does writing in Star Wars canon differ from creating your own series?
The main difference is that with my original work, the world building is all up to me–but the world of Star Wars is already out there, deeper and more developed than anything I’ve done on my own. The world’s greatest designers have already invented planets, ships, creatures and thousands of years of history. It’s a luxury to be able to call upon that when writing Star Wars books.

How do you do research for novels set in an established universe?
Being a big old nerd who already knows a lot of this stuff just through being a fan–that really helps. Beyond that, I’m able to call on my editors and the whole crew at Lucasfilm to ask questions or look at material that feels important to the story.

bookcoverLeia: Princess of Alderaan is not your first foray into the Star Wars galaxy. What makes it different from Lost Stars or Bloodline?
It’s a true young adult novel, for one–Lost Stars really is only YA in its first half, before the characters age into adulthood. Princess of Alderaan is firmly focused on the coming-of-age experience for Leia, as well as some of the people around her. Also, while Leia was the main character in Bloodline, in that book, readers spent time in the POVs of several other characters, getting a wider look at what was going on in the galaxy in the years before The Force Awakens. Princess of Alderaan stays with Leia the whole way, showing us only her understanding of people and politics—which expands over the course of the book, as she learns more. Continue reading

All Things Printed & Recorded: Board Games Take A Turn

EDITOR’S NOTE: This year in our HPB calendar, we’re celebrating all things printed and recorded—and played, solved, watched, etc. In other words, all the cool stuff we buy and sell in our stores. For November, we’ve got all the pieces in place for a look at the history of board games.

TIMELINE

2650 BCE  The Royal Game of Ur is played in Mesopotamia.playing checkers
1300 BCE  Two-player strategy game Ludus latrunculorum is played throughout the Roman Empire.
1822  The first American-made board game, Travellers Tour Through the United States, debuts.
1935  Monopoly is released. It would go on to become the biggest selling board game in US history.
1995  European strategy game The Settlers of Catan is released. It has since been translated into 30 languages and called “the board game of our time.”

DID YOU KNOW?

  • The Checkered Game of Life, released in 1860 by lithographer Milton Bradley, is known as America’s first popular parlor game and is the basis for the modern-day Game of Life.
  • Checkers, known as draughts in the UK, has been played in one form or another for centuries, having evolved from the early Middle Eastern game Alquerque.
  • The boot, thimble and wheelbarrow are among the Monopoly pieces to be discontinued in recent years.
  • The ancient Egyptian game Senet, which somewhat resembles Backgammon, dates to 3100 BCE and can be seen in this painting from the tomb of Queen Nefertari.

Want to dive deeper? Check out these great products!

book The Oxford History of Board Games, David Parlett
book The Games We Played: The Golden Age of Board & Table Games, Margaret Hofer
book The Master of Go, Kawabata
book It’s All a Game: The History of Board Games from Monopoly to Settlers of Catan, Tristan Donovan
book The Monopolists: Obsession, Fury, and the Scandal Behind the World’s Favorite Board Game, Mary Pilon
book The Player of Games, Iain Banks
book The Game Makers: The Story of Parker Brothers, from Tiddledy Winks to Trivial Pursuit, Philip Orbanes
slate_film-512 Searching for Bobby Fischer (movie)
slate_film-512 Clue (movie)
slate_film-512 Word Wars (movie)
slate_film-512 Jumanji (movie)

Behind the Book: The Light Between Worlds by Laura E. Weymouth

Editor’s Note: We were fortunate enough to have debut author Laura E. Weymouth write an incredible, exclusive work about how stories affect us all. For Laura, stories provided an outlet and helped to inspire her debut novel, The Light Between Worlds. Read on to discover Laura’s take on the beautiful and revelatory magic of stories.

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Early on in life, I learned that storytelling has a peculiar sort of magic to it—not just the magic of creation, of making something out of nothing, of spinning new worlds and new people and new plots into being, but the magic of revelation. Because in telling a story, you invariably learn something about yourself. And in listening to a story told, you learn more of who you are as well.

As a teen who wrote constantly, fiction and poetry were both my oracle and my catharsis. They showed me what I most struggled with, and then helped me to deal with those things in the safe and secure haven of text on a page. I learned through fiction how the uprootedness of my family background had profoundly impacted my ways of thinking, even when it seemed to have little bearing on day to day life. I learned through poetry how heavily the unkindness of humans to one another and the fate of our fragile planet hung on my young shoulders. I wrote with other voices, giving my words to invented characters, telling stories that were not my own, and in doing so, I uncovered truths about myself.

I learned as a reader, too, that stories are a revelatory experience. In A Ring of Endless Light, I found that I believe hope always overcomes darkness. In Surprised by Joy, I found my faith. In The Lumatere Chronicles, I found, quite simply, myself and my family.

When it came time to write The Light Between Worlds, I knew I’d learn deeply personal things in the process. But I also wanted to show on the page how the stories we tell about others are always, in some way, about ourselves. So I decided to write from two points of view. Two very different sisters, separated by time and space, telling stories about one another, and in doing so, telling readers about who they themselves are. Continue reading

Behind the Book: When the Men Were Gone by Marjorie Herrera Lewis

Editor’s Note: When the Men Were Gone is a debut historical novel centered on the truly inspiring story of a high school teacher who surprises everyone when she breaks with tradition to become the first female high school football coach in Texas. Set during WWII, Tylene Wilson faces extreme opposition but shows what courage really means. This inspiring story has won hearts everywhere and was chosen as our Book Club selection for October and November. We had the opportunity to discuss the book with Marjorie Herrera Lewis, which you can read about below.

This is your debut novel- what did you learn about the process of crafting a book?
The biggest lesson I learned about the process of crafting a book is that it’s hard; it’s really hard. It takes discipline, passion, skill and a willingness to learn something new almost every day.

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What first interested you in Tylene Wilson’s story?
The story resonated with me the instant I was told what Tylene had done. I am a career sports journalist, and to discover that a woman had coached football in the 1940s took my breath away. I also felt connected to her in a way because I was the first woman assigned to the Dallas Cowboys beat in the 1980s. I knew firsthand what it was like to work in a male-dominated field. I was drawn to what I imagined she had endured. Continue reading

Behind the Book: Bridge of Clay by Markus Zusak

As mentioned in our Cozy Fall Book List, Markus Zusak, bestselling author of The Book Thief, is back after a 13-year break with Bridge of Clay an incredible, sweeping family saga. This is the kind of emotional, moving book you find yourself reading and re-reading. Zusak’s breathtaking story centers around the five Dunbar brothers, who are beholden to only themselves after the death of their mother and abandonment by their father. The brothers are living—fighting, loving and grieving—in the perfect chaos of a house without grown-ups. Then, the father who left them walks right back in with a surprising request: Who will build a bridge with him? It is Clay, a boy tormented by a long-buried secret, who accepts. But why is Clay so broken? And why must he fulfill this extraordinary challenge? Read on to discover Zusak’s thoughts on his triumphant return.

ON WRITING BRIDGE OF CLAY

bridgeofclayHow do we sum up a decade of our lives going by, and all that happened in between? For me, the one thing that made things hardest over the last ten years is also what makes the answer to that question pretty easy: I poured a decade into Bridge of Clay.

I originally got the idea more than two decades ago; I was nineteen, or twenty. I stumbled over the thought of a boy building a bridge—but I had a lot of growing up to do, both as a person and a writer—before I was able to write it. I tried, of course. I even finished a version of Bridge of Clay that I didn’t send off to attempt publication. I was a long way from having anything published at that stage—but I knew even then that the version I’d written wasn’t the right one. . . I didn’t know it would be another twenty-three years before I’d get there. Continue reading