Social Creature is one of those broodingly beautiful pieces that catches you and keeps you till the very bitter end. The characters of Lavinia and Louise represent the dark glitz, glamour and destitution of New York City and their tangled friendship will keep readers enthralled. This decadent debut thriller is a refreshing take on the dark side of obsession. We recently had a moment to speak with Tara Isabella Burton to find out more about her writing process, background and upcoming works.
I feel like almost everyone knows a person like Lavinia – carefree, reckless and self-absorbed. Did you model her character after someone you know in real life?
Yes and no. I modeled Lavinia after a few different people I’d known in NYC – some that I knew well, some that I’d only met in passing. But I also very much wrote an autobiographical character. In real life, I tend to cover up a lot of my own anxieties by embracing performativity – whether it’s on social media, or dressing in an eye-catching vintage style, or being highly emotionally effusive. I wanted to explore a character that had a really big chasm between her external and internal self. I hope I’m less self-absorbed than Lavinia, certainly, but I think I share her (probably unhealthy!) coping methods of dealing with insecurity – and probably many of us do, to some extent.
There’s been a lot of talk that this book is The Talented Mr. Ripley for the digital age. Are you a fan of Patricia Highsmith and her work?
Absolutely! I love those lush midcentury thrillers – Patricia Highsmith, Daphne Du Maurier – that create a heightened atmosphere through both setting and equally intense, complicated characters.